Dancing With the Devil in the Pale Moonlight1 of 12
Is there any rivalry in comic books more iconic than the one between Batman and the Joker? Many heroes have arch-enemies, but so few have such perfectly crafted opposite numbers. The Joker is Batman's perfect nemesis: a violent, colorful force of chaos that flies directly in the face of Batman's stoic, ordered veneer.
Now, the Clown Prince of Crime will get a new comic book twist as Geoff Johns and Jason Fabok's long-awaited Batman: Three Jokers - which will explore Joker's secret origins with a shocking twist - is finally scheduled for June.
With DC billing the series as the "ultimate Batman/Joker story", we're looking back at the long history of their rivalry with the greatest Batman/Joker stories ever told.
The Man Who Killed Batman - Batman: The Animated Series episode 512 of 12
"The Man Who Killed Batman" tells the tale of Sid the Squid, a hapless gangster who has seemingly killed Batman. This reputation draws the attention of many criminals, who Sid does his best to appease despite lacking any real skill, until the Joker takes notice of him. Joker is incensed that Sid has not only done what he could never do, but also that he has ruined all his fun by taking away his best playmate vows revenge. Of course, the definitely-not-dead Batman arrives to save Sid and baffle the Joker once again in the end.
The Laughing Fish - Detective Comics Vol. 1 #475-4763 of 12
There's no better story of the Joker's warped sense of humor than Steve Englehart and Terry Austin's "The Laughing Fish." In "The Laughing Fish," Batman discovers that Joker has released a neurotoxin into Gotham Harbor that creates fish emblazoned with his twisted grin. Joker, seeing an opportunity, decides to patent his Laughing Fish. After being denied a patent, Joker swears revenge for the insult, killing a patent clerk right under Batman's nose and vowing to make his way up the chain of command.
Joker's Favor - Batman: The Animated Series episode 74 of 12
"Joker's Favor" is as good a story about Joker's often arbitrary and chaotic nature as told in any media. In perhaps the world's most unfortunate case of road rage, poor Charlie Collins curses out another driver who turns out to be the Joker, who runs Charlie off the road. Sparing Charlie when he begs for his life, saying he has a wife and child to care for, the Joker instead accepts a favor from Charlie as recompense for his affront. Years later, Joker calls on Charlie to fulfill his promise in a wholly unexpected and hilarious way, only to be bested not just by Batman, but by Charlie himself in the end.
The Man Who Laughs5 of 12
Ed Brubaker and Doug Mahnke's "The Man Who Laughs" is a modern day retelling of Joker's first appearance, intended as a loose sequel to Batman: Year One. "The Man Who Laughs" explores the Joker's origins in a roundabout way, tying him to the Ace Chemical Plant that warped his body and perhaps his mind, and showing the bombastic, brutal way he made his reputation. "The Man Who Laughs" modernizes Joker's original appearance, bringing in elements of subsequent stories to form a fully realized picture of the clown prince of crime and redefining the character for the modern day.
Batman: Endgame - Batman #35-406 of 12
"Just think of the great times we've had... and smile!" Scott Snyder and Greg Capullo tied together the threads of two of their most popular storylines in Batman's "Endgame," as the Dark Knight had his final battle with the Clown Prince of Crime. If "The Court of Owls" was an opener and "Death of the Family" was the scary sophomore effort, "Endgame" was all about escalation - how much harder can the Batman fight, when his first battle is against a Joker-ized Justice League? Yet that bombastic introduction quickly gave way to Snyder's quieter reflection of the Batman and Joker mythos, as both characters delved deeper and deeper into each others' pasts as both enemies and opposites - all while Gotham fell to the latest strain of the Joker virus. Combined with Capullo's knack for horrific imagery and brutal fight choreography, "Endgame" not only elevated the Joker as a vicious, nearly-immortal threat, but also wrapped up many of the storylines Snyder had established, ending in a bittersweet climax that left the Dark Knight missing in action.
Mad Love7 of 12
Set in the continuity of Batman: The Animated Series, and told by TAS creators Paul Dini and Bruce Timm, "Mad Love" tells the story of Harley Quinn, who debuted as a one-off henchman on TAS before Arlene Sorkin's pitch-perfect portrayal vaulted her into the hearts of fans, and into regular DC continuity. Mad Love establishes the baffling, unreasonable, and undeniable connection between Dr. Harleen Quinzel and her patient, the Joker; a relationship that leads to madness and chaos for all involved. "Mad Love" won an Will Eisner Comic Industry Award for being the Best Single Story in 1994, a well-deserved honor for a story that endures as one of the best and most heartbreaking in Batman canon.
The Dark Knight8 of 12
Purists may decry Christopher Nolan's The Dark Knight for its non-traditional Joker, but no story in any medium has so succinctly defined the dichotomy between Joker and Batman. Batman, the grim avenger, concerned only with order and rules, and Joker, the colorful, madcap anarchist for whom chaos is a way of life. The Dark Knight gets more traditional than many may give it credit for, drawing on stories as far back as Joker's first appearance. And of course, the prime component in the film's success is Heath Ledger's bitter, stumbling portrayal of the Joker as a man with no name, no face, and no past; every bit the symbol as Batman, with none of the driving force.
The Joker's Five-Way Revenge - Batman Vol. 1 #2519 of 12
”The Joker's Five Way Revenge” set the stage for countless explorations of the Joker's unique madness in the years after its release. Considered the first Joker story to eschew the campiness of the 1966 Batman TV series, Denny O'Neil and Neal Adams's "Joker's Five-Way Revenge" is a tale about Joker attempting to do away with a group of five henchmen who have displeased him, forcing Batman to defend the same criminals he would normally be fighting.
“Joker's Five-Way Revenge” established a few important aspects of Joker's character, namely his abject disregard for the lives of his own henchmen, and his twisted vision of his relationship with Batman. At one point, Joker gets the best of Batman, ambushing an already dazed and disoriented caped crusader. Deciding that it's only luck, and not his own cunning that defeated him, Joker decides to leave Batman alive, the first in a seemingly never ending series of events that portray a cycle of dependence between Batman and Joker.
A Death In The Family - Batman Vol. 1 #426-42910 of 12
It's hard to think of a story that so perfectly captures Joker's brutality, his rampant carnage as “A Death In The Family.” In it, Joker attempts to sell a nuclear weapon to Middle Eastern terrorists, a quest that crosses his path with that of Jason Todd, the second Robin, who is on the hunt for his birth mother. And of course, we all know how this story ends, with Jason's death at Joker's hands, not necessarily the first, but certainly the most shocking time that Joker made Batman suffer at his hands.
What's perhaps even more shocking is that Jason's fate was decided by a reader poll, by which readers voted for Jason's demise (via a 1-900 number), proving that, just maybe, there is a little Joker in us all.
The Killing Joke11 of 12
It's no wonder that The Killing Joke is considered by many to be the definitive Joker story. Joker's brutal attack on Barbara Gordon, and his subsequent torment of both her father and Batman with the knowledge of the attack ranks as, quite possibly, the most nightmarish of Joker's many horrific misdeeds. The attack was so brutal that it lead Batman right to the edge of his code of honor. Saved only by the arrival of the police, and his delight at his own warped understanding of life and death, Joker's madness, his twisted relationship with Batman, and his will to do things any sane person would find monstrous are never more on display than in The Killing Joke.
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