Announced
at today’s DC Universe panel at San Diego, 2006 will see a classic return to
the DC Universe with Mark Waid at the helm. Described as something
of a companion book, at least thematically, to Superman/Batman,
a Waid-written Brave and the Bold will return to ongoing
series status (with an artist to be announced shortly).
Newsarama.com
was able to land a few minutes with the writer to talk about the
series, the characters, and the scope of this new B&B.
“Dan DiDio had it in his back pocket for a while,” Waid said in
regards to how the project came to be. “He always knew that was
one of the most attractive jewels at DC that you could dangle in
front of me that would make me jump on board. It’s the opportunity
to be able to mix and match in the DC Universe – to wake up one
morning and say, ‘You know, I feel like doing a Green Lantern story
this morning,’ and then to wake up the next day and say, ‘You know
what? Today – Wonder Woman.’ That’s the real appeal of it all.”
As Waid sees it,
the new Brave and the Bold will be the classic format of
B&B from years past. But – before you begin thinking that
means every issue will feature Batman, think about what Waid would
mean with “classic format.”
“Classic Brave
and Bold was not ‘Batman and…’ it became that once the television
show picked up,” Waid said. “In the earliest days of the Brave and
the Bold it was Metal Men and the Atom, Flash and Martian Manhunter.
Basically, what we’re doing is that we’re going to do it along the
model of the very successful Superman/Batman book, in the
sense that we’ll do story arcs generally spelled by one or two shorter
stories in between if the need suits. As complete stories, the ideas
is to build in as many characters as possible, so it’s not six issues
of Batman and Green Arrow, for example – that would be a little
predictable. The fun of it, of course, is finding the plot devices that would
allow you to have, say, Batman and Green Lantern in issue #1, and
then Green Lantern and, hypothetically speaking, Supergirl
in issue #2, and Supergirl and Hawkman
in issue #3, or whatever – and find the plot batons, if you will,
that you can hand off to keep the story going while moving the characters
in and out as needed.”
Or, to think of
it in an animated way…Brave and the Bold is going to be a
little along the lines of Justice League Unlimited, in that
this is a world with a large number of heroes, and occasionally,
the heroes join forces to combat a mutual threat, and in doing so,
showcase a portion of the universe they all inhabit.
“That’s actually not a bad way of putting
it,” Waid agreed. “It is something where there’s a vast pool of
characters to draw upon – who do we want to focus on with this issue?”
That said, who does Waid want to focus upon when
thing get rolling early next year?
“I’d be foolish
to at least not lead with Batman, because he is the first guy you
think of when you think about Brave and Bold. But that said,
it can’t be just another Batman book, and that’s part of
the joy of it – to move around. It’s always going to be a tightrope
walk between characters that we know will absolutely, positively
goose the sales, and characters that may not be as hot, sales-wise
at that moment, but regardless, are pretty interesting. We can’t
do Adam Strange and Metamorpho, for example.
No one’s going to buy that. But at the same time, I don’t want to
do Batman and Batman every month, either. So, there will probably
be at least one strong anchor in every issue, somebody who has some
marquee value, be it Batman or Superman, or whoever, and then we’ll
try to balance that with whoever is interesting. For example, if
there’s some reason Catman from Villains
United is interesting this month, well, maybe he can join with
Superman for a story.”
So what kind of
stories will the heroes move into? Will readers see, for example,
an even exchange of antagonists for the exchange of protagonists
in the title? “That’s a good question,” Waid said.
“We’re still hammering that out. It’s funny – I never come at my
stories initially with the idea of who the villain should be. To me, it has always been about, ‘I
like Batman and I like Green Lantern. What is it about them that’s
the same? What is it about them that’s
different? How do they compare? How do they contrast? How do they
interact with each other as characters, and how can you build that
into a story?’ From there, you go shopping in the pool of villains
and see who fits the theme that you set up, and who might reflect
the needs of the story. That’s where we start every time.
“I guess what
I’m saying is that while there will certainly be cool villains showing
up, and part of the appeal of the series will be watching villains
who don’t normally face off against the heroes as well. For
instance, Scarecrow versus Green Lantern. Also – part of
the fun will be watching the worlds of the characters fold together.
For me, it’s not enough to see Batman and Captain Marvel together
– I also want to see Alfred and Billy Batson – I want to see the
whole mythologies merge together in their supporting casts.
“Clearly, the
post-Infinite Crisis DCU is designed to be a much different
landscape than what we’ve got now, and Brave and Bold is
designed specifically to be the place where we can explore that
world to its fullest, more so than in Justice League, more
so than in Superman or other DC Universe books – we can go
anywhere and see everybody, and check in on the status quo of every
character. This is your travelogue of the new DC Universe.”
So – in the end,
who’s Waid itching to get his hands on?
“It’s like throwing
me into the candy store with a full wallet. It’s hard to say – some
of the fallout from Infinite Crisis will preclude certain
characters, but it will also make available characters who nobody
has thought about for a while. The only thing I can say with any certainty
is that, pursuant to a conversation Geoff Johns and I had last week,
we suddenly realized who the perfect character would be to tie all
these other characters together – the one anchor character who’s
not Superman or Batman who ties together many of the various aspects
of the DC Universe. I know – it sounds ultra mysterious, but I think
if you put two seconds to it as a fan…you’ll stumble across the
answer.”
And if you’re
thinking that writing this new series would mean that the bulk of
Waid’s writing is at DC, and writers who end up with the bulk
of their work at DC sometimes sign exclusive contracts with the
publisher…well, you’d be right.
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