<i>By George Marston, Newsarama Contributor</i> <p>For more than 70 years, Batman has been one of the most popular and recognizable characters in all of fiction. In that time, the mainstream version of Batman appearing in DC comics has been retooled, relaunched, and rebooted numerous times, but his core story has always stayed the same: Young Bruce Wayne is inspired to fight crime when he sees his parents gunned down before his eyes. Using his family's vast fortune, and a wealth of training and skill, Wayne dedicates his life to eliminating evil and protecting the innocent as Batman, Gotham City's caped crusader. <p>With one of the most easily adaptable and resonant origins in all of fiction, it's no wonder that countless "alternate" versions of Batman have cropped up over the years, whether through DC's own "Elseworlds" imprint, in television and other media, or just at the hands of a gifted creator with a unique take on the Dark Knight. <p>Here are 10 of the most compelling alternate versions of Batman from various media. <p><i>Got a comment? There's lots of conversation on Newsarama's <a href=http://www.facebook.com/Newsarama><b>FACEBOOK</b></a> and <a href=http://twitter.com/newsarama><b>TWITTER</b></a>!</i> <p> <p>
Due to the machinations of Zoom, the "Reverse Flash," an alternate timeline was created where it was Thomas Wayne Bruce Wayne's father who survived an attack that left his son dead. <p>Thomas Wayne's Batman was much more violent than his son Bruce, and was even willing to kill criminals in the line of duty. After being the only hero to believe Barry Allen's story about a timeline gone wrong, Thomas Wayne also discovers that his version of the Joker is actually his estranged wife, Martha Wayne. <p>The two come to grips with the consequences of aiding Barry in restoring the proper timeline, but not before Thomas leaves his son a note explaining Barry's actions, and the events that lead to his death a second time.
Jokingly referred to as "Batmankoff" by artist Dave Johnson in his design sketches, the Batman that appears in Red Son plays a small, but memorable role as a Russian anarchist working with American agents to destroy Superman. <p>Set in the cold war, Red Son tells the story of a Superman raised in communist Russia as a government super-weapon. In the story, Batman teams with CIA agent Jim Olsen, scientist Lex Luthor, and a rogue KGB agent to kidnap Wonder Woman, Superman's lover. <p>When they risk capture, Batman commits suicide rather than wind up a lobotomized government pawn himself, proving that Batman is no one's pawn in any reality.
In the late '60s, inspired by the American television show, Japan saw a Batman craze that swept the nation, leading to the publication of licensed Batman manga. <p>Since the bulk of the work was created by Japanese cartoonist Jiro Kuwata, most people, even at DC Comics, didn't realize these comics existed until Chipp Kidd compiled much of it in his book "Bat-Manga!" in 2008. The adventures of "Battoman," as he's named in the westernized Japanese style, are obviously inspired not just by the Adam West/Burt Ward television show, but by other popular Japanese Manga tropes. <p>Battoman fights robots, dinosaurs, and strange supervillains, some of whom have even come back across the Pacific to American Batman comics. Lord Death Man, a character inspired by an earlier, obscure American villain simply called "Death Man" may be the best example of this, playing a key role in the first arc of Grant Morrison's <i>Batman, Incorporated</i>.
In Doug Moench and Kelly Jones's classic "Elseworlds" tale, Batman joins forces with a young vampire named Tanya to defeat the legendary vampire Dracula himself. <p>Quickly realizing that the only way to defeat Dracula is to become a vampire himself, Batman convinces Tanya to bite him, giving him all the powers of a vampire, along with all of his inherent skills. <p>Batman eventually defeats Dracula, sacrificing his own humanity to do so, but the story doesn't end there. "Red Rain" became a fan favorite story, spawning sequels, spin-offs, and even seeing itself incorporated into the new multiverse in the wake of DC's <i>52</I>, as one of 52 alternate earths.
Mark Waid and Alex Ross's epic miniseries <i>Kingdom Come</i> established an aging Batman who gave up all pretense of a secret identity years ago. <p>His body wracked by time and injury, Bruce Wayne now uses a veritable army of Batman robots to patrol Gotham City. When his old friend Superman comes out of retirement to stop the reign of terror of a younger generation of out of control heroes, Batman dons an exo-skeleton suit, and rejoins his old friend's fight in person. <p>Batman's <i>Kingdom Come</i> armor has become iconic, and the idea of Bruce Wayne leading a team of automatons and surrogates rather than hitting the streets himself has become a common trope among alternate timeline stories.
Considered by many to be the very first "Elseworlds" story, Brian Augustyn and Mike Mignola's <i>Gotham By Gaslight</i> tells the tale of a turn of the century Bruce Wayne, who dons the mantle of the be-goggled Batman when his friend Inspector Gordon shows him a series of strange murder cases. When it is discovered that Jack the Ripper has come to Gotham City, Bruce Wayne is framed for the murders, driving Batman to clear his own name and solve the grisly killings. <p><i>Gotham By Gaslight</i> was widely acclaimed, inspiring the Elseworlds imprint that spawned numerous alternate stories of Batman, Superman, and numerous other characters. It even inspired a sequel, and was included in the new multi-verse, which also lead to the Gaslight version of Batman appearing in the miniseries <i>Countdown Arena</i> where numerous alternate versions of popular heroes competed to be the definitive version.
<i>Batman: The Animated Series</i> was hugely popular and inspired spinoffs for Superman and the Justice League. When <i>B:TAS</i> ended, producers Bruce Timm and Paul Dini were approached by Warner Bros. to fill its gap. When they asked what the pair had in mind, Timm said the first thing that came into his head: "Teenage Batman." <p>Working backwards from that premise, Timm and Dini developed the story of Terry McGinnis, a high school student whose father is killed by corporate criminals, sparking a sequence of events the lead to McGinnis discovering a now-retired Bruce Wayne's secret history as Batman. Wayne takes McGinnis under his wing, giving him a high-tech suit with an array of gadgets and weaponry, and "coaching" Terry via a special communications link. <p>Over the course of three seasons, <i>Batman Beyond</i> gathered a devoted following, and established Terry as a strong, unique version of Batman who faced off against not only his own rogues, but some classic Bat-villains as well. Most recently, McGinnis has moved into comics like the currently ongoing <i>Batman Beyond Unlimited</i>.
Spurred by the superhero revival of comics' Silver Age, executives at ABC developed the widely polarizing Batman television series starring Adam West and Burt Ward as Batman and Robin, respectively, to cash in on the growing trend. <p>The '60's <i>Batman</i> TV show's reliance on comedic guest stars, campy plots, and hokey dialogue have made it a "love it" or "hate it" proposition. Those fans that can't get past a Batman whose adventures and attitude are radically different from those of mainstream comics revile the show, while those with an appreciation for the material as a product of its time and place form a devoted cult following. <p>Whatever your personal feelings about the show, there's no denying that it defined the public's perception of Batman for a generation, and lead to the revival not just of numerous Batman villains, including the Riddler and the Joker, but of a darker, more serious Batman in comics as a reaction to the show's campy premise.
Frank Miller's <i>The Dark Knight Returns</i> was born of a quest for a return to form for Batman and his stories. Seeking to tell a grittier, darker Batman tale, Miller's <i>DKR</i> focuses on an older Bruce Wayne, forced out of retirement by a Gotham City that just keeps getting worse and worse, and the return of Two-Face, a villain thought to be cured of his criminal insanity. <p><i>DKR</i>'s Batman is more brutal, more direct, and much darker than many versions of the hero. While Miller's sequel, <i>The Dark Knight Strikes Again</i> is widely considered a pale effort next to the original story, <i>DKR</i> defined and reinvented Batman, and many would say comics in general, as a character and medium for older, more mature fans. <p>Several years ago, Miller revived this version of Batman in <i>All Star Batman and Robin the Boy Wonder</i>, providing an even more over-the-top and gonzo version of <i>DKR</i>'s Batman in his youth.
With major artistic contributions from Bruce Timm and Paul Dini, <i>Batman: The Animated Series</i> focused on a version of Batman that was not unlike the mainstream version seen in comics, but which sought to streamline many of the various tropes, stories, and concepts that had taken root at different eras of the character's history into a single, accessible vision of the caped crusader. <p>Reinventing and revitalizing many of Batman's classic nemeses, as well as Batman himself, <i>Batman: The Animated Series</i> presented a vision of Batman that was at once exciting, colorful, mysterious, and dark, successfully folding the numerous conceptions of the character into a total package. <p> For many fans, the animated series was their first introduction to Batman, and even some creators, like former Batman scribe Devin Grayson, found their way to comics with the show's influence. While it may not be as radical a reinvention or re-imagining of Batman as some on this list, <i>Batman: The Animated Series</i> is considered by many to be one of the definitive versions of the character, and it even spawned an entire animated universe of alternate DC continuity portrayed in several shows.