Best Shots Rapid Reviews: DAREDEVIL: END OF DAYS, TEC, More
Greetings, 'Rama readers! Ready for your weekly dose of Rapid Reviews? Best Shots is locked and loaded, with 10 — count 'em, 10 — of this week's newest releases for your reading pleasure! So let's kick off with Jake Baumgart, as he takes a look at the final moments of Matt Murdock's life in Daredevil: End of Days...
Hack/Slash #18 (Published by Image Comics; Review by Rob McMonigal; 'Rama Rating: 8 out of 10): It’s mail-order madness as a man driven by the loss of his son uses a series of intrigues to find Cassie Hack through those closest to her, in an excellent fill-in issue. Writer James Lowder puts together a complex plot that uses creator Tim Seeley’s cast well and lovingly pays tribute to the crazy catalogs you might find in an old comic book. We are introduced to gadget after improbable gadget, which ultimately springs a surprise on the reader as Cassie is asked to justify her actions. Matt Merhoff’s art is a bit stiffer than it needs to be, with characters standing straight regardless of the circumstances. I love his facial expressions, however, which strongly compliment the snappy dialogue of this fast-paced and fun comic.
Animal Man #13 (Published by DC Comics; Review by Jake Baumgart; 'Rama Rating: 8 out of 10): Animal Man has officially taken a turn into the world of horror. There was enough monsters, bones and blood throat-grabbers to make this a book to maybe skip right before bed. Jeff Lemire keeps Buddy Baker charming as ever even after he lands in his new, monstrous world. Steve Pugh is able to capture all this in amazing detail. Even with all the pencil mileage on the page, the layouts and panels never feel crowded or messy. The world that Buddy’s family live in is stark and neat to contrast the evil Animal Man is surrounded by. It's a great touch to kick off this next amazing arc.
Red Sonja #69 (Published by Dynamite Entertainment ; Review by Rob McMonigal; 'Rama Rating: 7 out of 10): Sonja's not wanted in this land, but it won’t stop her from trying to stop vile sorcery as this story arc develops and improves from a rough start. Wandering into dark magic and attacking it without considering the risks is perfectly in character for Sonja and once again lands her companions in danger under Eric Trautmann’s writing. Edgar Salazar’s smooth (if a bit over-processed) art provides a more muscular Sonja and eliminates the panty shots that plagued the story under Marcio Abreu’s pencils. Salazar’s panels capture the horror of the situation nicely, concealing as much as they reveal to give the climax more impact. This arc is shaping up nicely, now that the art works with the story instead of being a series of pin-ups.
Uncanny X-Men #19 (Published by Marvel Comics; Review by Jake Baumgart; 'Rama Rating: 9 out of 10): If you’re a fan of X-Men past, you might not recognize the fallen leader, Cyclops, in this story. Instead of the stoic, forced-upon leader of the mutant race, there sits the hysterical and broken X-Man. Kieron Gillen paints Scott Summers as not so much remorseful for his actions, but instead a martyr for the mutant cause. Raising his hands in an X-formation is a profound action for a man that was corrupted by the same celestial force that killed his wife. Dale Eaglesham creates a tone that feels almost like a tome for the fallen hero, with the artwork and panel layouts give the feeling that these are Cyclops' last moments.
Bloodstrike #31 (Published by Image Comics; Review by Rob McMonigal; 'Rama Rating: 7 out of 10): The undead superhumans of Bloodstrike struggle with living again as we learn more about the changes in Cabbot Stone’s outlook in a rather lighthearted issue. Tim Seeley walks a razor edge of meta-commentary in the script, but he manages the quips at Image's expense quite well and we learn a lot about why we should care about Stone himself, which I think was previously lacking. Artist Francesco Gaston continues to shine on this title, equally at ease drawing Stone’s battle or a character’s death as he is the lowball slapstick of a shower peeping scene. Both are given slick, smooth lines that keep the story moving as we set up to the next story arc. Bloodstrike has come into its own after a rough start. Got a comment? There's lots of conversation on Newsarama's FACEBOOK and TWITTER!